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ek773 is "About its being her that thinks she has gone too far." This was still slightly obscure, but now Fleda understood. "It mustn't seem to come from her at all, don't you know? That would only make Mummy worse." "Naturally I want my own house, you know," he said, "and my father made every arrangement for me to have it. But she may make it devilish awkward. What in the world's a fellow to do?" This it was that Owen wanted to know, and there could be no better proof of his friendliness than his air of depending on Fleda Vetch to tell him. She questioned him, they spent an hour together, and, as he gave her the scale of the concussion from which he had rebounded, she found herself saddened and frightened by the material he seemed to offer her to deal with. It was devilish awkward, and it was so in part because Owen had no imagination. It had lodged itself in that empty chamber that his mother hated the surrender because she hated Mona. He didn't of course understand why she hated Mona, but this belonged to an order of mysteries that never troubled him: there were lots of things, especially in people's minds, that a fellow didn't understand. Poor Owen went through life with a frank dread of people's minds: there were explanations he would have been almost as shy of receiving as of giving. There was therefore nothing that accounted for anything, though in its way it was vivid enough, in his picture to Fleda of his mother's virtual refusal to move. That was simply what it was; for didn't she refuse to move when she as good as declared that she would move only with the furniture? It was the furniture she wouldn't give up; and what was the good of Poynton without the furniture? Besides, the furniture happened to be his, just as everything else happened to be. The furniture—the word, on his lips, had somehow, for Fleda, the sound of washing-stands and copious bedding, and she could well imagine the note it might have struck for Mrs. Gereth. The girl, in this interview with him, spoke of the contents of the house only as "the works of art." It didn't, however, in the least matter to Owen what they were called; what did matter, she easily guessed, was that it had been laid upon him by Mona, been made in effect a condition of her consent, that he should hold his mother to the strictest accountability for them. Mona had already entered upon the enjoyment of her rights. She had made him feel that Mrs. Gereth had been liberally provided for, and had asked him cogently what room there would be at Ricks for the innumerable treasures of the big house. Ricks, the sweet little place offered to the mistress of Poynton as the refuge of her declining years, had been left to the late Mr. Gereth, a considerable time before his death, by an old maternal aunt, a good lady who had spent most of her life there. The house had in recent times been let, but it was amply furnished, it contained all the defunct aunt's possessions. Owen had lately inspected it, and he communicated to Fleda that he had quietly taken Mona to see it. It wasn't a place like Poynton—what dower-house ever was?—but it was an awfully jolly little place, and Mona had taken a tremendous fancy to it. If there were a few things at Poynton that were Mrs. Gereth's peculiar property, of course she must take them away with her; but one of the matters that became clear to Fleda was that this transfer would be immediately subject to Miss Brigstock's approval. The special business that she herself now became aware of being charged with was that of seeing Mrs. Gereth safely and singly off the premises..
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🎮 "He'll come back to assert himself," Mrs. Gereth had said; and the following week Owen in fact reappeared. He might merely have written, Fleda could see, but he had come in person because it was at once "nicer" for his mother and stronger for his cause. He didn't like the row, though Mona probably did; if he hadn't a sense of beauty he had after all a sense of justice; but it was inevitable he should clearly announce at Poynton the date at which he must look to find the house vacant. "You don't think I'm rough or hard, do you?" he asked of Fleda, his impatience shining in his idle eyes as the dining-hour shines in club-windows. "The place at Ricks stands there with open arms. And then I give her lots of time. Tell her she can remove everything that belongs to her." Fleda recognized the elements of what the newspapers call a deadlock in the circumstance that nothing at Poynton belonged to Mrs. Gereth either more or less than anything else. She must either take everything or nothing, and the girl's suggestion was that it might perhaps be an inspiration to do the latter and begin again on a clean page. What, however, was the poor woman, in that case, to begin with? What was she to do at all, on her meagre income, but make the best of the objets d'art of Ricks, the treasures collected by Mr. Gereth's maiden aunt? She had never been near the place: for long years it had been let to strangers, and after that the foreboding that it would be her doom had kept her from the abasement of it. She had felt that she should see it soon enough, but Fleda (who was careful not to betray to her that Mona had seen it and had been gratified) knew her reasons for believing that the maiden aunt's principles had had much in common with the principles of Waterbath. The only thing, in short, that she would ever have to do with the objets d'art of Ricks would be to turn them out into the road. What belonged to her at Poynton, as Owen said, would conveniently mitigate the void resulting from that demonstration. "Dear, no; say that you'll go up to town and meet him." It was bettered, the broad hint; and Fleda felt this to be still more the case when, returning to the subject before they went to bed, her companion said: "I make him over to you wholly, you know—to do what you please with. Deal with him in your own clever way—I ask no questions. All I ask is that you succeed."!
🏆 "By every means in her power." "And was Mrs. Brigstock satisfied with your answer?"!
🔥 Download ek773 "I dare say they are—or that Mona is." Mrs. Gereth reflected again; she had a bright idea. "If I don't give in, I'll be hanged if she'll not break off." Wandering through clear chambers where the general effect made preferences almost as impossible as if they had been shocks, pausing at open doors where vistas were long and bland, she would, even if she had not already known, have discovered for herself that Poynton was the record of a life. It was written in great syllables of color and form, the tongues of other countries and the hands of rare artists. It was all France and Italy, with their ages composed to rest. For England you looked out of old windows—it was England that was the wide embrace. While outside, on the low terraces, she contradicted gardeners and refined on nature, Mrs. Gereth left her guest to finger fondly the brasses that Louis Quinze might have thumbed, to sit with Venetian velvets just held in a loving palm, to hang over cases of enamels and pass and repass before cabinets. There were not many pictures—the panels and the stuffs were themselves the picture; and in all the great wainscoted house there was not an inch of pasted paper. What struck Fleda most in it was the high pride of her friend's taste, a fine arrogance, a sense of style which, however amused and amusing, never compromised nor stooped. She felt indeed, as this lady had intimated to her that she would, both a respect and a compassion that she had not known before; the vision of the coming surrender filled her with an equal pain. To give it all up, to die to it—that thought ached in her breast. She herself could imagine clinging there with a closeness separate from dignity. To have created such a place was to have had dignity enough; when there was a question of defending it the fiercest attitude was the right one. After so intense a taking of possession she too was to give it up; for she reflected that if Mrs. Gereth's remaining there would have offered her a sort of future—stretching away in safe years on the other side of a gulf—the advent of the others could only be, by the same law, a great vague menace, the ruffling of a still water. Such were the emotions of a hungry girl whose sensibility was almost as great as her opportunities for comparison had been small. The museums had done something for her, but nature had done more.!🔥